Sunday, January 27, 2019

From professionalism and success to undermining snark : watching women lead in a men's industry

I was on set the other day with what I consider to be the best kind of director.  She was confident, prepared, and sure of her choices without being domineering or ignoring the input of her crew.  She communicated effectively and decisively, leading her set rather than fading into the background and letting the First Assistant Director or Director of Photography take over.  She asked for input from her crew at appropriate times and trusted that she hired them because they're good at their jobs and don't need micromanaging, but at the same time she had enough technical knowledge to merge it with an actual, achievable artistic vision and went into department conversations with a solid jumping-off point from which to start the conversation.  She came in quickly between takes to give the actors notes clearly and efficiently without making them feel rushed but also without letting them take time they didn't have, and she knew what was helpful to a struggling actor and what wasn't (and, perhaps just as importantly, she knew how to give direction to a struggling actor without broadcasting to everyone on set "I'm giving direction to a struggling actor.").  She was superb.

She was also a very feminine woman who socialized with her predominantly male crew without attempting to be "one of the guys."  To be honest, though I've seen a handful of women directors on film and TV sets before, I've never before seen all these qualities in one female director.  Whether it's because they're working with an almost all-male crew and that affects their confidence or style, or because female directors are more likely to come from theater backgrounds than from film school and so tend to lack the technical training, or for some other reason, the female directors I've watched firsthand tend to either rely very heavily on their First Assistant Director and Director of Photography for decisions other than acting notes or tend to be so quiet on set and work so much behind the scenes that it's almost impossible for an observer on set to tell who the director is. 

While I'm sure great work can be achieved those ways and there are many different effective directing techniques, it was wonderfully refreshing to see a female director leading her set the way most male directors do, while remaining unfazed that she was leading a mostly male crew and remaining confident in her femininity.
 
On the other hand, what was absolutely shocking to me was the way her female First Assistant Director behaved.  I can't imagine an AD behaving this way to a male director, and were she to behave this way regularly to her directors, she wouldn't work regularly, so I chalk this up to an appalling example of women being catty to other women rather than supporting them.

What I saw and heard, most of which the director did not:

~ When the director announced she wanted to do a camera rehearsal on a scene, the AD loudly told her she hadn't yet rehearsed a section of the scene.  "That's right," the director said.  After a few beats of staring at her, the AD said (for the whole set to hear), "So you'll want to rehearse it first before you do a camera rehearsal."  The director repeated what she wanted, and the AD responded with a look on her face (which the director did not see) that showed she thought the decision was dumb.

~When the director said she wanted to standby to go again right away, the AD replied in a tone dripping with teenage "that's so dumb" attitude, "Uh....Okay."

~After the director gave the background actors a note, the AD walked over, dropped her voice to a low tone, looked over her shoulder to make sure the director wasn't within earshot, and said she knew the direction was "kind of weird" (accompanied by an eye roll) and explained the director's reasoning behind it, with a tone that indicated she didn't agree with that reasoning.  I thought the direction was unusual too, but it's not the AD's place to question it to anyone but the director privately.

~ She yelled a suggestion to the director, who was at least 30 feet away.

~ Late in the evening, when her expression and body language were broadcasting that she wanted to be done with this day and go home, she showily approached the DP faux-furtively (in a wide open set in front of the entire crew and cast and background actors) and whispered something in his ear while he was in the middle of giving instructions to his crew.  He ignored her, as she clearly expected him to.  Given her behavior up to that point and her expression and manner when she did it, it came off as her whispering something about the director behind her back.

Whenever I work a set and see that the director is female, I have two thoughts: One is excitement that a woman is at the helm in what is still an industry very heavily dominated by men; the second is curiosity over whether she will manage her set with the confidence, decisiveness, knowledge, communication skills, efficiency, and leadership that one would hope any director would, regardless of gender.  It was wonderful to see the first female television or film director I've personally observed demonstrate all these skills on set, and even more of a delight to see that she did so while retaining her femininity and being at ease in her own skin.  Yet at the same time, it was an enormous disappointment to see how the second highest ranking female on set chose to undermine her at every opportunity rather than to support the inroads this director is making in breaking down barriers and expectations leading an otherwise male crew in a male-dominated industry.  That's not to say that women should be granted breaks specifically because they are women -- quite to the contrary, I do not support women being given high-profile directorial jobs for which they are unqualified.  But when a qualified woman does quality work and another woman undermines her and disrespects her and makes her leadership role even more difficult, it speaks to all of the negative stereotypes about women being catty and jealous and overly competitive and holds us back even more.

I hope the female director I watched goes on to even bigger and better projects, and I hope the next time she finds a female 1st AD, it's one who chooses to support her and contribute to her success rather than choosing to keep women bogged down by disrespect and prejudice in an environment in which we're far too much of a rarity.

Thursday, January 17, 2019

What happens when you hire a model to do an actor's job

I've changed the words just enough to not be recognized, without changing the truth of it at all -- this is not exaggeration or hyperbole -- this really happened on a professional set.

Principal actor-who's-a-model-and-not-so-much-an-actor-but-sure-does-look-good-in-the-costume, delivering his lines in the scene for at least the 6th take, probably more like the 10th or 15th when you factor in the different camera setups:

"Trees. Trees trees trees trees trees treestrees. Trees. All we ever talk about is trees. But I'm here today to say 'no more.'  Starting today we will not talk about...............-- [breaking character, calling off] What is it?"

Script supervisor: ".....Trees."

Tuesday, January 1, 2019

Ringing in the new year with gingerbread silliness and cat fun

Before today, my fiancé had never built a gingerbread house. As we got out a gingerbread village kit that showed an elegant fancy village with a church, school house, homes, and more, and we prepared to make beautiful edible art together, he suggested I write a blog post on the lost art of gingerbread houses.

After 30 minutes and four walls, I decided to do it with video.  So I present the lost art of gingerbread...shacks:
Once we embraced our theme of "village hit by a tornado in a snow storm," our town really came to life.  I think we did a great job.  I mean, clearly, this town was hit by a tornado. It was a very well executed artistic vision:

May all your failures in 2019 bring this much joy, and may all your successes feel like my cat feels in this video when he kills his bell wand.  Happy New Year.