Monday, June 8, 2015
When you're on the "at this performance" insert in the program
When your costume fitting, spacing rehearsal, and first time with the
almost-full cast for a ballet all take place the day before the
performance (in a studio, not on stage), and you never run the show with a
truly full cast, or on stage, or in your costume, until 8pm the next evening in front of an audience, and you learn at said spacing/run-thru the
night before the show that you're being added to a piece you weren't
supposed to be in, in which you have to wear a mask that results in you having
no peripheral vision.... That's when you really really really appreciate
the fact that swings and understudies sometimes have the most difficult
jobs in theatre. Oh, and my first quick-change (never rehearsed) I
was kind of nervous about making in time. I finished just in time, was
like "Yay, I made it!", went straight on stage, only slightly tripped on
my dress one time when I was on my knees (not bad for having never
rehearsed in it), was thinking, "Gee, this is cut awfully low in front. I
don't remember it being that low at my fitting yesterday. Good thing I
have a black leotard as a base," and then came offstage, where one of
the other dancers took one look at me and said, "Your dress is on
backwards." ....I once stage managed a show where an actor put his
pants on backwards in a quick-change during a performance and came on
stage like that without realizing. I laughed and laughed and asked how
he did that without noticing..... Dude....I totally get it.
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