Friday, October 30, 2015

Why "technical rehearsal" was invented

When I was six, I played a lily pad in my first ever dance recital.  I remember my strap breaking right before I went on and running around trying to find an adult who could fix it so that I wasn't a topless lily pad.  I assume I got it fixed, because I definitely don't remember flashing the audience of 300, and the photo of the dance that hung in the studio for years after showed only fully clothed lily pads (though in the moment captured in that photo, I clearly decided to do my own thing and show my beautiful passé while everyone else stood neatly in place).

Since and including that performance, I have never had stage fright or been worried about my performance.  I've had small mishaps on stage, including the heel of my pointe shoe slipping off, but nothing that I didn't know my training could get me through.  After my ballet performance tonight, in which we danced on an uneven, warped, bouncy floor with bubbly marley, in pointe shoes (having never rehearsed on that floor before), with strobe lights (that we never rehearsed in or were even informed about) while doing highly technical pointe work, with complete black outs and low light randomly interspersed, in our first run with full costumes or props or in that small a stage, I searched my memory trying to think of the last time I danced that poorly for an audience, let alone a paying one.  I can't think of a time.  So I'm going with the lily pad dance.  I've danced through my pas de deux partner bleeding all over my white tutu; I've danced through my pointe shoe ribbon snapping; I've danced through wardrobe malfunctions; I've danced through being hit in the head by another dancer...  But I've never danced through surprise strobe lights on a surprisingly bad floor while turning on pointe.  Until tonight.  But hey, at least I'm still standing.  And whatever doesn't kill me or break my leg makes me stronger, right?

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