The
following is what I wrote one day this week on a stalled subway car on
the way back from working an audition for 2nd, 3rd, and 4th graders for the ballet
school for which I work. It was the longest, most difficult subway ride (or
non-ride, as it actually turned out to be) I think I've ever had, and it came at the end of one of the more challenging days of work I've experienced:
~~~~~~~~~~~
I
am stuck on a cramped and crowded 4 train in the Bronx, as our audition
team attempts to make our way back to Manhattan after a very long and
very difficult audition for little kids in a public school here. The
train hasn't moved, nor have there been any announcements, in at least
ten minutes. We haven't even gone one subway stop yet, but we boarded
about 15 minutes ago. There's a four-year-old in a stroller next to me
who's getting very squirmy, so his mom (who looks about 18 and like she
should probably be in school herself) took out a Capri Sun, stuck a
straw in it, let him have a sip... and then announced, "NO! That's IT!"
and gulped down the rest while her little boy gaped at her, mouth wide
open, eyes big as saucers (really really thirsty saucers). I feel ya,
kid. I could use a Capri Sun myself right now.
I suspected that
today's audition would be difficult as soon as we got off the train and I
saw the neighborhood. Unfortunately, I've found there usually to be a
high correlation between the cleanliness of the neighborhood and the
behavior of the children in the school. Today, as we cut through a
small park (which mostly consisted of about 500 winding steps among
thick brush) behind the school, and my nose was assaulted with the
overwhelming stink of feces and urine, I kept my eyes glued to the
ground to make sure I didn't step in anything I wouldn't want to traipse
home on my pretty pink Keds (not that I would want it on my shoes any
more if I were wearing ugly combat boots). By the time we made it out
of the park, I felt like Clarice in Silence of the Lambs viewing her
first body, desperately in need of some Vaseline to block the smell.
Emerging from the park did not make our trip any less weird.... Upon
reaching the summit of stinky steps, we immediately found ourselves in a
caged sidewalk (caging on both sides and above), with three men in lawn
chairs at the end of the sidewalk, just this side of the opening of the
cage before it spilled out onto school property, a pit bull by their
feet. I couldn't help but think that either I was on my way to see an
urban Wizard of Oz or this school had the most unique guard system I've
seen. As we approached -- five ballerina types including a pale redhead
and a blonde in a neighborhood where there are no redheads or blondes --
lugging a roller suitcase that noisily announced our arrival with the
cluckety-cluckety-cluckety roll of the wheels cutting through the
blistering hot morning, the men stopped talking and stared at us,
clearly wondering how we could have gotten so far lost.
***Oh,
uh-oh. That mom really should have given her son the Capri Sun. He's
getting squirmy, so she's yelling at him to stop squirming, even though
he's not even making much noise. Everyone else on the train is silent
and she's got headphones in blasting music, so she's unnecessarily
yelling over her headphones at her cute kid, and the whole train car is
just staring. "Yo stay STILL. You're aggravatin' me. Don't throw that
shit at me, what you WANT?!" she just yelled at him out of nowhere. This kid has the biggest brown eyes. I think what he wants is a hug.
Or a Capri Sun. He'd probably take either. But now she's yelling at
him, so he's starting to cry. Right next to me. And she's yelling. In
my ear. And she just rolled his stroller over my foot. Fun fun. We're
still not moving.***
So anyway, we got by the pit bull guard patrol
without incident and went into the school, where a time warp seemed to
exist. Sometimes time here moved slowly, sometimes it moved quickly, but it
never seemed to move normally. There were a number of children out on
the sidewalk, which made no sense as school had already started. As our
contact -- a large man who definitely takes his time in life -- slowly
said his hello, a mother and her small child walked in the front door,
failing to acknowledge either him, the security guard, or the other
staff present. He ceased speaking, scrunched his face, and, turning his
head as the duo walked by, followed them with his eyes and an arched
brow long after they'd disappeared down the hall. His disapproval hung
in the empty seconds, all activities halted, a bubble of silence seeming
to envelop us within the screeching and
yelping sounds of children coming from deeper into the school, before he finally said,
"What's HER issue?....... She's LATE," slowly shrugged his large
shoulders and, languidly returning his attention to us, informed us we
would be in the gym today... the fifth floor gym. There are no
elevators. So we all sauntered up the stairs (also, like the sidewalk,
lined in cage chain -- even on the interior side away from the windows,
which completely baffled me) following his lead, occasionally stopping
abruptly without warning as he questioned a child -- in a manner that
somehow managed to be both lackadaisical and sharp -- who ought to be in class but was instead hanging out in the echoey stairwell.
Finally, we reached our audition room destination -- what looked to be an
abandoned old gym that now seemed to serve as storage for a couple
hundred desks and chairs piled on each other. As we went about trying to open some windows
(all locked and unfortunately impossible to open -- I'm not sure they've
been used in the last few decades) to let some air in the horribly hot
and stale room, we discovered one little old white lady behind some gym
mats that were standing on end to form a type of fort, sitting quietly
in the corner painting. She just looked up from her paints and smiled
brightly at us without saying a word, and then returned happily to her
paints... I'm not at all sure that she actually has anything to do with
the school.... Looking at her happily painting away, as she acted as if this were the most normal thing in the world to be painting behind a
gym-mat fort in a fifth floor abandoned gym, I was struck with the odd
notion that she might eternally live in this abandoned room that no one
uses. As I looked around and realized that what once was a basketball
hoop backboard was now a pretty painting of flowers and a sun, and other
paintings seemingly by the same artist covered objects and wall pieces
all around us, I imagined this little old lady had been lost in a
magical time warp bubble for decades, happily creating unique art in
a room
where no one knew she existed, transforming her bubble into a world of undiscovered color.
Eventually we got set up and were ready for the
classes to start auditioning. Unfortunately for us, the teachers were
also ready for a break, and the majority of them simply dumped their
classes in the hallway outside the gym and walked away, leaving us with
30 screaming children who clearly weren't used to using indoor voices,
following directions, or respecting the authority of adults. That also
meant that when each class's audition was through, we'd have 30 kids
with no adult to take them anywhere, so one of our team members had to
go up and down the stairs about 15 times taking classes back to their
classrooms. One teacher who had abandoned her kids came back to get
them about ten minutes after one of our team members had taken them back
to their classroom. As the teacher got to the gym and saw her class
wasn't there, she loudly asked, "Where are my kids? Where's my class?"
When we informed her we'd taken them back because there was no teacher
with them, she responded not with concern that apparently her children
were in her classroom without her, but with anger that she had had to
make the trip up the stairs to check on them. "Gee thanks for letting me
know. I made this trip for nothing," she said cuttingly. "I feel
you," sweetly replied our team member who had taken her class, and many
others, back. "I've made about 15 of those trips myself today."
The
teachers weren't the only ones at the school who were angry. One boy shuffled
to his given spot on the floor with a studied limp and proceeded
to fold his arms across his chest and just stand there and stare me down
during the entire audition as I went through the
various
exercises. Some children I try to encourage to participate. Not him.
***Our
train's still not moving -- "signal problems" -- and screaming-mom is
getting more and more antsy. She's full-on yelling at her kid now
(still no one else on the car is talking, and most people have turned
their back to the duo, presumably in an attempt to block it out). The
boy keeps squirming, but not yet fully crying or making much noise, and every time
he squirms in his stroller she gets more and more angry. "Stay the
f$%k still! Shut the f$%k up! I'll f$%king hit you on this train I
don't
f%&king care. Yo why you cryin'. Yo you have issues dude...
F$&king worst kid to have on a train..... Shut up shut up shut
UP!" I want to get off this train so badly. What I really want is to
find this kid some solace. There are no cops on the packed car and
nothing
to do about it other than watch her emotionally abuse him. After her
screaming at him for 35 minutes, the tears that have been consistently
filling his eyes threatening a full-on crying fit that has remarkably
not yet manifested finally seem to reach their breaking point, and as
he's about to lose it, the woman sitting down next to his carriage
reaches over and tickles him. This gets a giggle, and the tears disappear
immediately. The stranger (a heavily tattooed older lady who looks to
be going through some tough times herself and whose outward edge and
roughness are in contrast to her extreme softness and sweetness with the
boy), puts down her tattered romance novel that has clearly gone through
multiple reads, asks him his name, and introduces herself with a
handshake (the mom couldn't care less that a stranger is touching and
talking to her little kid. She looks relieved to be rid of him for a
bit). The stranger asks him what some of his favorite things are,
tickles him more, and then says, "Are you a good boy? Your mommy needs
you to be a good boy. Your mommy loves you very much. She has to work
very hard to support you, so you have to be a good boy for her. She
loves you. She loves you very very much." The boy is looking at the
stranger with big wide eyes, the happiest I've seen him, and while he's
clearly bright and responds to everything else she says, her repeated
declarations of his mother's love are met with nothing but confused
looks. I wonder if he's ever heard those words from his mom's lips.
Now it's the train station where the stranger has to get off.
She repeats that his mom loves him, gives him a parting tickle, and
without even glancing at the boy's mom, reluctantly gets off. The mom
does not move a muscle.***
At the audition, few classes were where
they were supposed to be. Some of the room numbers we'd been told to
go to did not exist, two of them were bathrooms, and at least one was in
the park. Yet somehow we were running an hour ahead of schedule. In
search of one class
that never showed up, I walked into an art room where I found 30 or so
kids yelling and running around. I found the teacher -- a young man who
looked about my age -- in the corner successfully connecting with and
teaching a few children who seemed genuinely interested, focused, and
intent on their work, despite the lack of discipline of most of
the class.
After several failed attempts to be heard over the roar of the class in
speaking to him -- resulting in an exchange that seemed quite like an
Abbott and Costello routine -- I verified with him that this was indeed
our missing class. When the class came to our room, as they stood in
the hallway waiting to go in, at least a dozen of the children
simultaneously
asked if they could go to the bathroom. The teacher sighed and, telling
me how it's a sport for them to go to the bathroom as much as possible
and as a group, admitted he didn't know how the regular homeroom
teachers
handled it all day. Dude, neither do I. "The way you speak to them is
good, though. Calm. In charge but not yelling," he said. Yeah... not
really working today though.
In the next class, a kid punched
another kid. All the kids saw it but apparently none of them knew what
it was about. It didn't seem like it was a particularly rare occurrence.
A teacher to whom other kids complained asked the alleged puncher if
maybe he was stretching and the other kid just walked into his fist.
Yes, he agreed, the other child had indeed walked into his fist while
he was stretching. So that was that. Stretches are dangerous at this
school.
***Things just got even worse after the stranger
left.
The mom immediately started screaming at the boy again, so he started
full out crying finally, so she started to hit him with the back of her
open hand, stopped her hand about half an inch from his nose, and
instead squeezed his face really hard with her hand. So now he's crying
even more. There's a woman in scrubs next to me who shook her head,
took a breath in like she might say something, but then sighed and
turned her back to the mom and child. No one else on the car other than
our team is watching. I wish there were something I could do, but by
the time I found a police officer she would be long gone, and what is
there to report? A ton of emotional abuse, a threat to hit a child, and
a face squeeze... that no one saw. I hate this subway ride. I wish
that child could get out. In a few years he'll be one of the unruly
kids at this school we just auditioned. I hope he won't be one of the
punchers or one of the kids who stands there belligerently staring me
down. I
hope he'll be one of the students in the art class who clusters around
the
teacher in a determined effort to learn whatever he can despite the
circumstances. I hope he'll be one of the children who does so well he
gets accepted to our program. I hope he'll be one of the children who
finds a positive force in his life and the hope to pull himself up. I hope somehow, maybe against all odds, he makes it.
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