I
worked on a tough set yesterday. I was hired as a
dancer -- outside in 80-degree sun all day wearing winter clothes. I've
worked in worse physical conditions, including heat, cold, and extreme
dust and smoke. I've danced in 90 degrees on a dusty set with fake
snow, and I've gotten sick from set several times before... but I've
never before worked in
tough physical conditions without a crew that acknowledged the
conditions and tried to make our experience positive. On this set,
however, no one bothered
to ask our names or even introduce themselves. No one asked how we were
doing in the sun in our hot costumes all day. No one attempted to boost
our morale. No one thanked us. I was not offered water once in a
14-hour shoot or told where I could find some myself. No one told us
where craft services (the area with beverages and food) was located. Wardrobe repeatedly snapped at us to keep our
coats on
between shots, for no reason other than that they clearly thought we
were irresponsible children incapable of following the language of a set
and putting on our coats in time. During ten-minute breaks we were
asked not to sit down, despite our three-inch heels, because the only
seats were in the sun and they didn't want our faces to look burnt.
When we tried to oblige them by taking off our heels and standing in our hose on the
shady sidewalk on our breaks, we were snapped at to put the heels
back on so our
hose didn't run.... So our "breaks" were to be spent standing in
three-inch heels... (several of us simply sat anyway -- with our shoes
off)....
Since the set was on a public sidewalk,
pedestrians constantly took
pictures of us, and I found myself literally turning my back on people
who were sticking cameras in my face, including one particularly
persistent paparazzo who, unable to find a movie star on set, harassed
the elaborately costumed dancers instead and took much interest in my
conversation with another dancer. On a nicer set, I might have found
enchantment and glamour in the attention and perhaps even felt
flattered.... But here, it simply
increased my crankiness as I tried to block my face from the intrusions
into my breaks. In fact, I found myself marveling at how
many people think they have a right to invade someone's personal space
with
their cameras and phones without so much as a tiny thought of what
that's like for the person of whom they're taking photos. We were simply interesting objects to them -- opportunities to get
unique Tweets and Facebook posts, no different from the Empire State
Building or any other inanimate tourist attraction.
So, hot,
dehydrated, and cranky, many of us were relieved when told
that our part of the day was done and they were moving on to a
completely different scene in a strip club and we would all be wrapped… Well, all of
but three of us would be wrapped. As it turned out, they hadn't hired
any
stand-ins for three of the principals in the evening work and so
needed three dancers to volunteer to stand in (stand-ins do the blocking of the principals during shot set-ups and camera rehearsals so the principals don't have to be on set then). The logical thing to do
would be to say nothing and let them wrap me. But I'm not always
logical. Continuing that night as a stand-in meant (aside from a much larger paycheck, because
union rules dictated the stand-ins would be working at the overtime
dancer rate rather than the standard stand-in rate) getting to see how
this set worked from a
completely different point of view. Plus I really like William
Shatner's first rule in his book Shatner Rules: Say Yes. So I said
yes and volunteered. And that's how I got to sit in "video village"
watching a four-minute scene get methodically covered from six different angles, on a set run by the first ever female director/ female 1st Assistant Director team I've seen -- all while sitting behind the Director of Photography's
monitor (the DP became the first and only crew
member to introduce himself, and he made a point to learn the names of
all three of us and talk to us about the show), where I took turns with the
other two girls wearing his headphones as we watched.
Eventually we were kicked out of our seats by some strippers
with really great names, but by then it was almost time to
wrap us anyway.
So am I glad I stayed? Absolutely. If I ever run a set, will I
make sure to thank everyone and keep a positive environment and make
sure everyone feels like an individual person with worth? You can bet
your life on it.
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